Title: March
Author: John Lewis
Genre: graphic novel, American history, Southern history, African American history, YA non-fiction, civil rights
** The following was originally posted to a discussion board for my Children's Literature class **
My first YA pick for this week’s post is March by John Lewis and Andrew Aydin.
Aside from reading the Archie and
Veronica comics as a kid, I can count on one hand the number of graphic
novels I have read in my life. It’s one of the few literary genres that doesn’t
appeal to me (the others are poetry and short stories), but I decided to give March a shot because a) I have heard
rave reviews about it and b) like most things outside of one’s comfort zone, I
figured it would be good practice for me to read something in unfamiliar
territory. As a librarian, I need to be aware of the various genres (even the
ones that are not personally appealing) since I will deal with patrons of
various reading levels and reading desires.
Because I am not immersed in the graphic novel world, I was
not aware that March was released in three separate volumes, so I would like to
thank and applaud our classmate that posted a question about this for
clarification. I would also like to thank our professor for allowing us extra
time with this module. We were only required to read volume three, but I went
ahead and checked out all three volumes from the library because a) I can’t
stand reading books out of order (probably due to my Type-A personality) and b)
reading all three volumes would let me experience the events in the graphic
novels in proper context.
Volume 1 explains John Lewis’ childhood in Alabama, his college
years, and how he became involved in local civil rights movements in Nashville.
Volume 2 shows how the Student Nonviolent Coordinating Committee (SNCC)
strategically desegregated department store lunch counters, fast food
restaurants, cafeterias, and movie theaters. Once these places were
successfully desegregated, the SNCC turned its sights on desegregating buses and
swimming pools, and revamping employment practices. During this time, Lewis was
privy to negotiations with RFK and worked with MLK on various projects. Volume
3 is the most intense of the set: it opens with the Birmingham church bombing
that claimed the lives of four little girls. The novel continues with members
of the SNCC traveling throughout the South spearheading voter registration
drives and marches/stand ins at county courthouses. Sprinkled throughout the
various protests and jail times are JFK’s assassination, internal strife with
the SNCC and other African American groups, the Civil Rights Act, betrayal at
the Democratic National Convention, Lewis’ life changing trip to Africa,
Malcolm X’s assassination, and the historic march in Selma.
This graphic novel set was intense, even for me, a grown
woman, but I did learn a few things. The march in Selma was a series of marches
that had to be repeated due to various legal maneuverings. Also, despite all
the hard work in setting up protest lines, marches, and voter registration
drives, “By the end of the month, fewer than 60 people had even allowed into
the courthouse to attempt to register—and every single one of them was
rejected” (Lewis and Aydin, 2016, p.166). My impression was that during these
protests and marches some African Americans were successful in registering to
vote- only because the federal government made the state government cooperate. I
also learned a lot of names that I will need to research later!
The themes in this set of graphic novels are courage, civil
rights, American history, African American history, non-violence, equality,
perseverance, and justice. Due to the triggering content, I would recommend
this book for high schoolers and above (a mature middle schooler might be able
to handle it. That’s up to the patron and his or her parent to decide). There
are swear words and racial slurs scattered throughout the text (used by the
angry mobs in various states against the protestors). There are two to three
references to sex, mostly in volume 3, and there is lots of violence,
individual violence and state-sanctioned violence. Although most high schoolers
are exposed to swearing, sex talk, and, unfortunately, some forms of violence,
Horning recommends that a book reviewer “mention potentially controversial
elements ‘only if they warrant analysis as an important aspect of the work’”
Horning, 2010, 175).
Since I am not an avid graphic novel reader, it’s hard for
me to recommend any read-a-likes. I did read the Persepolis graphic novel (and watch the movie) for a world history class
during my undergrad degree. Persepolis
also deals with injustice, among many other themes. Since I lack in the
literary recommendations, I’m also going to recommend an article by the
Huffington Post (cited below), that lists six civil rights museums appropriate
for children and their families, along with the movies Selma and Malcolm X. I
believe these various resources are valuable supplements to one’s education
about the Civil Rights movement.
Citations:
Bower, N., Colson, C., DuVernay, A., Gardner, D., Garnes,
P., Kleiner, J., McCracken, C., McKeown, D., Morales, N., Pitt, B., Winfrey, O.
(Producers), & DuVernay, A. (Director). (2014). Selma [Motion picture]. United States: Harpo Films.
Holmes, P.L., Kilik, J., Lee, S., Murad, A., Ross, M.,
Sulichin, F., Worth, M. (Producers), & Lee, S. (Director). (1992). Malcolm X [Motion picture]. United
States: 40 Acres a Mule Filmworks.
Horning, K.T. (2010). From cover to cover: evaluation and
reviewing children’s books. New York: HarperCollins.
Lewis, J. and Aydin, A. (2016). March. Marietta, GA: Top
Shelf Productions.
Mahoney, M. (2017, December 6). Six civil rights museums
your kids will never forget. Retrieved from https://www.huffingtonpost.com/maura-mahoney/six-civil-rights-museums-_b_9351576.html
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